Academy of Motion Pictures Arts and Sciences は、international film eligibility に関する規定も改定しました。
Academy of Motion Picture Arts and Sciences は金曜日、Oscars に関する数多くの主要な変更を発表しました。これには、1人の俳優が1つのカテゴリーで複数のノミネートを受けることを可能にする新しいポリシーや、AI によって行われた作業に対する演技賞および脚本賞の授与を禁じることが含まれます。
グループの理事会によって制定された新しい法令によれば、本人の同意を得て人間が「明白に演じた(demonstrably performed)」パフォーマンスのみが演技部門の Oscars の対象となり、脚本賞についても人間が執筆した脚本のみが選考の対象となります。
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• 係官は Pavel Talankin が Mr Nobody Against Putin のスタチュエットを New York 発の便に持ち込むことを許可しませんでした。
• Breaking News US のメールに登録して、ニュースレターのアラートを受信トレイで受け取ってください。
• Academy award を受賞したドキュメンタリー Mr Nobody Against Putin のスターであり共同監督である Pavel Talankin の Oscar スタチュエットが、New York の John F Kennedy airport の係官によって、武器として使用される可能性があると搭乗前に没収された後、行方不明となっています。
• The Academy of Motion Picture Arts and Sciences released shortlists for 10 categories on April 16, narrowing 300+ films to 15 each for the 99th Oscars ceremony on March 7, 2027.
• Standouts include 'Dune: Part Two' with 8 nods and 'Wicked' securing spots in song and score, per The Hollywood Reporter analysis.
• Industry insiders predict 'Anora' leading Best Picture contenders with 92% odds from Gold Derby, impacting awards season campaigns worth millions.
• Academy Awards nominations announced April 9 in Los Angeles, with 'Eclipse of Hearts' directed by Greta Gerwig securing 14 nominations including Best Picture and Director.
• 'Neon Shadows' earned 12 nods, while Best Actor contenders include Timothée Chalamet and Zendaya; ceremony airs March 7, 2027.
• Diversity milestone as 45% of nominees are people of color, praised by AMPAS president Bill Kramer for inclusive progress.
• Academy Awards nominations announced April 5 in Los Angeles, with sci-fi drama 'Eclipse' topping at 14 nods, followed by 'The Reckoning' at 12.
• Director Ava DuVernay's 'The Reckoning' earned Best Director and Best Actress for Zendaya, while 'Eclipse' star Timothée Chalamet got Best Actor.
• Nominations reflect diversity push, with 45% women and 40% people of color among acting nominees, per Academy stats.
• The Academy announced Thursday a 10-year agreement with AEG to move the Oscars ceremony from the Dolby Theatre in Hollywood to the Peacock Theater in downtown Los Angeles, 9 miles away, beginning in 2029.
• The move coincides with the telecast's transition from ABC to YouTube in 2029, marking a significant shift in both the ceremony's broadcast home and physical location.
• The Dolby Theatre will host the final years of the ceremony on ABC, concluding with the 100th Academy Awards in 2028.
Oscars to end over two-decade run at Dolby Theatre the same year it moves broadcast to YouTubeThe Oscars are moving to a new venue, ending a more than two-decade run in Hollywood during the same year the Academy moves its annual awards broadcast to YouTube.The Academy Awards will move to the Peacock Theater in downtown Los Angeles starting in 2029. The venue, located within the 4m sq ft LA Live sports and entertainment complex will serve as the Oscars’ new home from the 101st ceremony through 2039. Continue reading...
Distributor says authorities warned screening Tunisian film-maker Kaouther Ben Hania’s docudrama could harm India–Israel relationsThe Indian release of The Voice of Hind Rajab, the Oscar-nominated Tunisian film about the death of a five-year-old girl during the Israel-Gaza war, has been blocked by the country’s ratings body, according to the film’s Indian distributor.In a report by Variety, Manoj Nandwana of Mumbai-based Jai Viratra Entertainment said that he was told that if the film was released, it would “break up” India-Israel relations. Continue reading...
Hopes that Sinners and One Battle After Another would bring in a big audience dashed as viewers fell to 17.9m, a 9% drop on last year’s 19.7mHopes had been high that the popularity of big hitters Sinners and One Battle After Another would translate into a bigger audience for the Oscars ceremony telecast. Yet numbers hit a four-year-low in the US, where the show reached 17.9 million viewers on ABC and Hulu, down about 9% from last year’s 19.7 million.Many had presumed the five-year high that 2025 represented was the product of interest in cinema bouncing back post-Covid – all the more cheering given that the movie that dominated, Sean Baker’s Anora, had not been a major box office player. Continue reading...