Audiovisual

• The European Audiovisual Observatory (EAO) released a report on June 26, 2026, mapping the expansion and increasing complexity of audiovisual services across Europe. • Authored by analyst Jean-Augustin Tran, the study examines EU member states and additional territories, including the UK, Switzerland, Norway, Turkey, and Ukraine. • The findings highlight the rising dominance of Video-on-Demand (VoD) platforms and the significant influence of US-based media groups on the regional landscape.

• Canada has reversed its plan to increase the Canadian-content levy for U.S.-based audiovisual streaming services. • The decision was announced on Wednesday, June 3, by Marc Miller, the Minister of Canadian Identity and Culture and Minister responsible for Official Languages. • This policy shift impacts how streaming platforms contribute to the funding of domestic content, potentially reducing the financial burden on foreign services.

• The European Audiovisual Observatory held a panel at the Marché du Film to analyze how public funding and fiscal incentives are evolving amid declining cinema admissions and SVoD growth. • Key regional updates include Italy introducing stricter transparency rules for tax credits, Spain seeing a 33.6% drop in foreign film investment in 2024, and the UK launching a £380 million Creative Industries Sector Plan. • These shifts highlight the critical role of state aid in maintaining the competitiveness of the European audiovisual sector against global market pressures.

• The European Audiovisual Observatory released a study on May 29, 2026, analyzing the impact of tax credits, cash rebates, and tax shelters on audiovisual production. • The report maps the legal frameworks governing these incentives, including the UNESCO Convention on the Diversity of Cultural Expressions and EU state aid law under Article 107(1) of the TFEU. • This research is critical as fiscal incentives have become primary drivers in determining where and how films and series are financed and filmed globally.

• A European Audiovisual Observatory panel at the Marché du Film in Cannes on May 21, 2026, analyzed the current state of fiscal incentives and cash rebates in European cinema. • The discussion highlighted diverse national strategies, including Italy's use of project caps and tax credits, and Portugal's enhanced incentive rates for sustainable "green" productions. • Experts noted significant regulatory differences, such as the UK's BFI cultural certification requirements and France's distinct provisions for domestic versus international independent producers.