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La mostra del tesoro di Melsonby a York mette in discussione le idee sulla vita nel nord della Gran Bretagna di 2.000 anni fa

Text on plaque in Hall of Valour updated to include references to war crime – murder charges and the ongoing legal processThe Australian War Memorial has updated the display dedicated to Ben Roberts-Smith after the former Special Air Service (SAS) corporal was officially charged with five counts of the war crime of murder.The changes, implemented on Friday, mean nearly half of the descriptive plaque in the museum’s Hall of Valour is now dedicated to events occurring after his military service, beginning with the initial reports of misconduct in 2016. Continue reading...

Attendees at Conservative Political Action Conference express support and concerns amid rift over Trump’s action Wherever you go, there you are, the saying goes. It was a lesson Donald Trump’s Maga faithful may have been reminded of last week when they gathered in a convention center near Dallas for a revival of the president’s political movement, only to find that there was no escape from the problems it faces.The annual Conservative Political Action Conference (CPAC) is usually a place of optimism, if not, triumph. It was on its stage last year that Elon Musk pumped a chainsaw in the air amid his abortive foray into clear cutting government bureaucracy, and where JD Vance named undocumented immigration as the “greatest threat” facing the United States and Europe. Trump is a regular, regaling the audience with lengthy monologues about his accomplishments. Continue reading...

Piece by late South African artist Dumile Feni is part of new series History Doesn’t Repeat Itself, But It Does Rhyme On the second floor of the Reina Sofía, in the very spot where Picasso’s Guernica was first exhibited when it arrived in the Madrid museum 34 years ago, there now hangs a smaller, near-namesake of the Spanish artist’s most famous work.While African Guernica, which was drawn by the late South African artist Dumile Feni in 1967, may lack the scale of Picasso’s masterpiece, its depth, anger and unnerving juxtaposition of man and beast, light and dark, and innocence and cruelty, are every bit as disturbing. Continue reading...