Theatre

• Il rapporto suggerisce che iniziative popolari come NT Live e NT at Home stiano rendendo il pubblico del Regno Unito più avventuroso • I servizi di streaming teatrale e le proiezioni cinematografiche di spettacoli teatrali non rappresentano una minaccia per la frequenza "di persona" e stanno rendendo il pubblico più curioso, secondo una nuova ricerca commissionata dal National Theatre. • Presentando i risultati lunedì, la direttrice del NT, Indhu Rubasingham, ha affermato che il boom del teatro filmato ha sollevato questioni importanti, tra cui il timore che iniziative popolari come NT Live e NT at Home potessero avere un impatto negativo sulla frequenza agli eventi dal vivo. L'organizzazione ha incaricato l'agenzia Indigo di condurre una ricerca per approfondire l'atteggiamento del pubblico verso il teatro filmato. Continua a leggere...

What began as a tiny space above the founder’s stables became the beating heart of the city’s performing arts. Its leader Jimmy Fay reflects on recent hits and reveals what audiences can expect from the theatre’s anniversary year‘The Lyric gives voice to everyone in Northern Ireland,” says the theatre’s boss, Jimmy Fay. “It’s a beacon.” Fay views the 2026 programme, celebrating 75 years of the Lyric, as an opportunity to showcase current creative talent, as well as honouring the theatre’s past.One of the plays from the repertoire that Fay was keen to revive is Christina Reid’s Tea in a China Cup, from 1983. With a cast including Marie Jones, the new production – which runs in May – is directed by Dan Gordon, who performed in the original. Reid’s play traces the daily lives of Protestant working-class women in Belfast across three decades, from the second world war to the Troubles, with humour and poignancy. Continue reading...

‘If we celebrate the impact of physical storytelling, we must acknowledge the artists behind it,’ says Equity body, calling out the lack of movement categories in major awardsChoreographers and movement directors in theatre are undervalued by awards ceremonies and deserve greater acknowledgment, says the Equity group representing both disciplines.At last weekend’s Oliviers ceremony, the award for best theatre choreographer went to Fabian Aloise for Evita at the London Palladium. In a statement, Equity’s Choreographers and Movement Directors Network (CMDN) said it was “brilliant to see choreography recognised on major stages like the Olivier awards” but drew attention to the movement directors who worked on nominated productions yet went unrecognised with their own category. The ceremony “opens up a bigger conversation about what language we use to describe how theatre is made, and questions who gets named in that process – especially when it comes to movement and choreography”, said the CMDN. Continue reading...

Nadia Fall calls for bold thinking as she announces new shows including anti-Trump version of Thelma & LouiseTheatres facing financial difficulty can only prosper by “programming their way out of it”, according to the Young Vic artistic director, Nadia Fall, who has announces her new slate of shows, including an anti-Trump musical version of Thelma & Louise.Fall, who took the helm at the Young Vic in 2025 and oversaw staff cuts after a £500,000 deficit in the last financial year, said theatres must put on unmissable productions in order to balance the books. Continue reading...

Other winners include Inter Alia’s Rosamund Pike, Ivo van Hove for All My Sons and Hayley Atwell who beat her Much Ado co-star Tom Hiddleston to best Shakespearean performanceBrendan Gleeson has been named best actor at the Critics’ Circle theatre awards for his West End debut in Conor McPherson’s pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond’s bear. The Weir, directed by McPherson, was entirely omitted from the nominations for this year’s Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller’s 1946 classic at Wyndham’s theatre, won in two categories at the Critics’ Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine’s Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast. Continue reading...

A letter from 15 critics to the Royal Lyceum in Edinburgh condemns ‘divisive move’ that saw non-Scottish publications excluded from reviewing the musical’s press nightTheatre critics in Scotland have written to the Royal Lyceum theatre in Edinburgh condemning a “divisive” and “London-centric” decision to not invite reviews from UK national publications for its new musical version of One Day.The show, based on the 2009 novel by David Nicholls, held a press night on Wednesday but only critics writing for Scottish publications were invited to review it. A separate press night for other critics is planned for a later date, when the show opens in London. Continue reading...

• Celebrity couples including Jason Bateman and Amanda Anka, plus Kumail Nanjiani and Emily V. Gordon, turned heads with romantic arrivals at the 98th Academy Awards on March 15, 2026, at the Dolby Theatre in Los Angeles. • Hosted by Conan O'Brien, the event aired live on ABC and Hulu starting at 7 p.m. ET, showcasing Hollywood's biggest stars in glamorous fashion. • These high-profile duos added extra star power and romance to the red carpet, captivating audiences during the ceremony.

• Less than 24 hours before the 98th Oscars on March 15, 2026, crews complete final touches at Dolby Theatre with red carpet rollout. • Event marks Hollywood's pinnacle, setting stage for nominees and stars in live ABC broadcast. • Preparations underscore massive production for global audience across 200+ territories.

Exclusive: Queensland Performing Arts Centre board nominated Oodgeroo as their preferred name for the theatre in 2024, but it was not one of the four options put to public vote by the LNPGet our breaking news email, free app or daily news podcastA Queensland government minister intervened to ensure a new theatre would not be named after Aboriginal poet Oodgeroo Noonuccal, overriding the theatre’s board, according to documents obtained under right to information laws.The late artist’s name is also set to be stripped from a state electorate, in draft electoral boundaries released by the state’s redistribution commission this week. The LNP lobbied for the change. Continue reading...